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Feature Post.

Along the Coast of Kovalam: On Fishing, Continuity, and Quiet Symbiosis.

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Author - Brian Hawkeswood.                                                                            Nach unten scrollen für die deutsche Übersetzung. Along the coast at Kovalam (India), fishing is not an industry so much as a rhythm—an inherited cadence that has outlasted empires, religions, and the modern impatience with anything that does not scale. Each morning, the boats return not as symbols of labour but as punctuation marks in a sentence that has been written and rewritten for centuries. The sea gives, the shore receives, and life adjusts itself—quietly, persistently—to the terms of that exchange. As the early morning passes boats steadily arrive reveiling their nights catch. People wait and buy straight from the fishermen. Kovalam January 2026. The abundance of fish in these waters has lo...

The Eternal Mirror: A Human History of the Portrait

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Author - Brian Hawkeswood.                                                          Nach unten scrollen für die deutsche Übersetzung Arguably no artistic genre strikes as directly at the human soul as the portrait. Across millennia, we have returned again and again to the depiction of ourselves and others—not merely to capture likeness, but to reach toward memory, identity, love, power, longing, and even the divine. The portrait is not simply a face rendered in pigment or stone; it is a cry across time: I was here. I. Origins: Prehistoric and Ritual Portraiture The first attempts at human representation emerged not with kings or saints, but in the quiet shadows of caves. In Jericho (modern Palestine), around 7000 BCE, archaeologists uncovered plastered skulls —real human skulls modeled with clay to reconstruct facial features. Shells formed t...

The Last Painted Likeness: Biedermeier Portraiture on the Cusp of the Photographic Age

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  Author- Brian Hawkeswood                                                                                             Nach unten scrollen für die deutsche Übersetzung There is a peculiar poignancy in the portraiture of the Biedermeier period —something restrained yet revealing, intimate but polite, exacting yet deeply human. These portraits emerged in the early 19th century, flourished in the decades following the Napoleonic Wars , and receded just as photography entered the domestic and civic sphere. The Biedermeier portrait painter was, in many ways, the last artisan of the painted likeness—working before the camera made representational fidelity a matter of mechanics rather than brushstroke.                 ...