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Showing posts with the label Pirna sculpture

Feature Post.

The Importance of Writers-Die Bedeutung von Schriftstellern.

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  Author -Brian Hawkeswood.                                                                               Scroll Down For English Version. Die Beziehung zwischen bildender Kunst und den Schriftstellern, die sie interpretieren—Kunsthistoriker, Kritiker, Philosophen und Kulturkommentatoren—ist zutiefst symbiotisch. Während die Schaffung eines Gemäldes, einer Skulptur oder eines architektonischen Werks ein Akt visueller Kreativität ist, hängt die Rezeption, Interpretation und der dauerhafte Ruhm dieser Werke oft von der sprachlichen Vermittlung ab. Worte beschreiben Kunst nicht nur; sie kontextualisieren, theoretisieren und kanonisieren sie mitunter sogar. Historisch hat die Verbreitung von bildender Kunst durch schriftliche Texte deren Rezeption und Status entscheidend beeinflusst. Giorgio Va...

Sculptural Dialogues in Pirna: From Baroque Roots to Contemporary Resonance

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Author - Brian Hawkeswood. Baroque Foundations in Stone Pirna’s historic core still bears the imprint of Baroque artistry—not just in its buildings, but in its sculptural details. In the former fortress Festung Sonnenstein, the Skulpturensommer exhibition places historic reliefs and busts—like those by Johann Kretzschmar, a student of the Baroque master Balthasar Permoser—directly alongside modern sculptures  . For example, a tambourin player and a granite “König David” (2010) frame visitors’ entrance, echoing centuries-old craftsmanship  . A Seasonal Symphony Since 2013, curator Christiane Stoebe has organized an annual sculpture summer high above Pirna, pairing modern works with medieval bastion architecture  . In 2025, the theme “Resonanz” unites 27 German and Czech artists, including Jan Hendrych and Waldemar Grzimek  . Displayed are works such as Livia Kubach & Michael Kropp’s Paarstein (2018, sandstone) and Grzimek’s thoughtful bronze Sitzender Alter (19...

A Quiet Bronze Dance by the Elbe – Reflections on a River Spirit Sculpture in Pirna

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 Author- Brian Hawkeswood.                                Nach unten scrollen für die deutsche Übersetzung. Each morning, on my walks, I would come across her—a bronze figure in a small park near the Elbe. No plaque, no inscription, and yet she possessed an unexpected presence. She stands balanced on the back of a great fish, as though surrendering to its silvery current, and in her hand she holds a cluster—of flowers, perhaps, or fruit—a quiet offering to time, to the river, to the town itself. I do not know who made her, or when. No documents seem to record her as official art, and yet she is art, patinated by rust, marked by the weather—made freer, perhaps, because of it. She gives the impression of having stood there since the first fish swam through the Elbe: timeless, unusual, almost speaking. And she speaks only through grace. She is the spirit of the river—not mythological in the grand sense, ...